Showing posts with label utopianism. Show all posts
Showing posts with label utopianism. Show all posts

Friday, June 27, 2008

Does EURObama Share Francis Bacon's & Spain's Surreal Passion for Animal Rights? Will Great Apes Be Entitled to Universal Healthcare in America?

http://www.guggenheimcollection.org/site/artist_work_md_10_4.html


Guggenheim Museum on Francis Bacon's Passion for the Apes


Study for Chimpanzee, March 1957



"Although Francis Bacon is best known for his alienated and often hideously distorted human figures, animals are the subject of at least a dozen of his canvases. He rarely worked from nature, preferring photographs, and for images of animals he often consulted Eadweard Muybridge’s Animals in Motion, Marius Maxwell’s Stalking Big Game with a Camera in Equatorial Africa, and pictures from zoological parks. Intrigued by the disconcerting affinities between simians and human beings, he first compared them in 1949 in Head IV (Man with a Monkey) (formerly Collection Geoffrey Gates, New York), in which a man’s averted face is concealed by that of the monkey he holds.



Like his human subjects, Bacon’s animals are shown in formal portraits or candid snapshots in which they are passive, shrieking, or twisted in physical contortions. The chimpanzee in the Peggy Guggenheim work is depicted with relative benevolence, though the blurring of the image, reflecting Bacon’s interest in frozen motion and the effects of photography and film, makes it difficult to interpret the pose or expression. In composition and treatment it is close to paintings of simians executed in the fifties by Graham Sutherland, with whom Bacon became friendly in 1946. The faint, schematic framing enabled Bacon to “see” the subject better, while the monochrome background provides a starkly contrasting field that helps to define form." (See: Guggenheim Museum Francis Bacon Collection, supra.



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[ IS THERE REALLY MORE HERE THAN MEETS THE EYE??]


Man with a Monkey 1949 Francis Bacon
(For information about surrealist artist Francis Bacon, See: Francis Bacon, Gay Guys into Art History, at:




















"What Bacon’s painting constitutes is a zone of indiscernibility, or undecideability between man and animal. Man becomes animal, but now without the animal becoming spirit at the same time, the spirit of man, the physical spirit presented in the mirror as Eumenides or Fate. It is never a combination of forms, but rather the common fact: the common fact of man and animal. Bacon pushes this to the point where even his most isolated figure is already a coupled figure, man is coupled with his animal in a latent bullfight. This objective zone of indiscernibility is the entire body, but the body insofar as it is flesh or meat...The painter is certainly a butcher, but he goes to the butcher's shop as if it were a church, with the meat as the crucified victim (the Painting of 1946). Bacon is a religious painter only in butcher's shops." Gilles Deleuze, Body, Meat, Spirit; The Logic of Sensation, Continuum, 2004." See: Art Gallery of Alex Alien, at:

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"...Likewise, in 'Figure With Monkey' from 1951, a man and monkey are separated by a fence painted from a blur of diagonal hatching marks in brilliant purples and deep blues. The man reaches up for the animal, and the hand and mouth meet in a confusing few swaths of fleshy colored paint. Is this gentle touching or biting? And, for that matter, who is caged, man or monkey?" (See: Screaming in Paint - Exhibit Plumbs Depths of Bacon's Unsettling Works, By MARY LOUISE SCHUMACHER mschumacher@journalsentinel.com
Posted: Jan. 26, 2007), at: http://www.jsonline.com/story/index.aspx?id=557375 ).

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Head I, 1948


"Bacon was an apolitical, good-for-nothing gambler with no principles to blind him to reality. And that is why it fell to him to acknowledge the real meaning of the atrocities whose photographic evidence appeared all over the world with the defeat of Germany. At the time he painted Head I, in 1948, 'responsible' people were busy separating the depravities of Auschwitz from accounts of mass murder inside the USSR. Humanism was still the watchword of the left. So here, in Bacon's appalling painting, is what he thought of humanism: a disintegrated face fused with the baying head of a baboon. There is little point in wallowing in the brilliance of Bacon if you don't recognise him as a moralist first and last. The way Head I is painted brings me out in goosebumps: the pleasure of this horror is immense. A matted blackness, a congealed, cloacal texture of extruded pigments, creates the picture's claustrophobia. The thin transparent veil of purple flesh that hangs in this darkness seems caught at the moment of explosion, in the instant it evaporates... We must learn to love the mortal monkey. What is the alternative? " Jonathan Jones, The beast within; The Guardian, Tuesday August 9, 2005. (See Art Gallery of Alex Alien, supra.)

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Study for a Chimpanzee 1957


"There's a picture of a screaming chimpanzee - a simian form with bared mouth - that goes to the core of Bacon's work. If you then look at Head 1 from 1948 and Head 2 from 1949, say, both are half-animal, half human, as if morphing between forms. There was no difference to Bacon. He knew humans were animals: primal and confrontational. You see it also in his figures of screaming popes. He always saw the animal in man, even in in the supreme pontiff. There's that ambiguity with Bacon: you don't know if you're witnessing a scream of pain, anger or release. I think probably that's why Bacon was such a great artist.." Michael Peppiatt, Great British Bacon, Radio Times, 19-25 March, 2005. (See: Art Gallery of Alex Alien, supra).


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Obama Pledges Support for Animal Rights


By AP/NEDRA PICKLER


TIME/CNN


Jan. 16, 2008

(HENDERSON, Nev.) — Democrat Barack Obama says he won't just be a president for the American people, but the animals too.


"What about animal rights?" a woman shouted out during the candidate's town hall meeting outside Las Vegas Wednesday after he discussed issues that relate more to humans, like war, health care and the economy.

Obama responded that he cares about animal rights very much, "not only because I have a 9-year-old and 6-year-old who want a dog." He said he sponsored a bill to prevent horse slaughter in the Illinois state Senate and has been repeatedly endorsed by the Humane Society.

"I think how we treat our animals reflects how we treat each other," he said. "And it's very important that we have a president who is mindful of the cruelty that is perpetrated on animals."
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Barack Obama - Animal Welfare Advocate

While speaking in Henderson, Nevada, Democrat Barack Obama says he won't just be a president for the American people, but the animals too. "What about animal rights?" a woman shouted out during the candidate's town hall meeting outside Las Vegas after he discussed issues that relate more to humans, like war, health care and the economy.

Obama responded that he cares about animal rights very much, "not only because I have a 9-year-old and 6-year-old who want a dog." He said he sponsored a bill to prevent horse slaughter in the Illinois state Senate and has been repeatedly endorsed by the Humane Society. "I think how we treat our animals reflects how we treat each other," he said. d it's very important that we have a president who is mindful of the cruelty that is perpetrated on animals." as reported by Associated Press.

Indeed, Senator Barack Obama pledges support for nearly every animal protection bill currently pending in Congress, and he says he will work with executive agencies such as the U.S. Department of Agriculture to make their policies more humane. He has written and spoken of the important role animals play in our lives, as companions in our homes, as wildlife in their own environments, and as service animals working with law enforcement and assisting persons with disabilities.

Obama also comments on the broader links between animal cruelty and violence in society:

"I've repeatedly voted to increase penalties for animal cruelty and violence and, importantly, to require psychological counseling for those who engage in this behavior as part of the punishment. In addition to being unacceptable in its own stead, violence towards animals is linked with violent behavior in general, especially domestic violence, and we need to acknowledge this connection and work to treat it. Strong penalties are important and I support them, but we know that incarceration alone can't solve all our problems. As president, I'd continue to make sure that we treat animal cruelty like the serious crime it is and address its connection to broader patterns of violence."
During Barack Obama’s eight years as an Illinois state senator he voted in favor of at least twelve animal protection laws.

These included state legislation to:

- allow creation of pet trusts to provide for long-term care of companion animals;
- to upgrade penalties for cruelty to animals, to require psychological counseling for people who abuse animals;
- to require veterinarians to report suspected acts of cruelty and animal fighting;
- to ban slaughter of horses for human consumption—significant because Illinois was one of only two states (with Texas) where horse slaughter plants operated;
- to create additional restrictions to make it more difficult for puppy mills to operate.
He voted to end the federal funding of horse slaughter in 2005, and he is currently a co-sponsor of new legislation to stop horse slaughter and the export of horses for human consumption.

He co-sponsored legislation to upgrade the federal penalties for dogfighting and cockfighting, and he is a co-sponsor of new legislation to ban the possession of fighting dogs and being a spectator at a dogfight.

He signed a letter requesting increased funds for the enforcement of the Animal Welfare Act, Humane Methods of Slaughter Act, and the federal animal fighting law, and he also sent a letter to the National Zoo expressing his concern for the care of Toni the elephant.

He has joined the fight against puppy mills, and appears in A Rare Breed of Love: The True Story of Baby and the Mission She Inspired to Help Dogs Everywhere ,a new book by Jana Kohl about her rescued dog, Baby, who survived a decade in a puppy mill.

And Obama has said that "as a condition for letting me run for President, my daughters Malia and Sasha extracted a promise from Michelle and I that they could get a dog after the election, win or lose. So they're heavily invested in this campaign, if only for it to be over so we can get our dog."
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The Presidential Files: Barack Obama and the Dog-acity of Hope

Democratic Senator Barack Obama's 2006 book, "The Audacity of Hope," is a story about his dogged optimism in the future. But it's his other work of writing—this one in response to a Humane Society Legislative Fund questionnaire—that has given dogs and other animals hope in this country.

At this time, three other presidential candidates—John Edwards, Dennis Kucinich, and Bill Richardson—have issued campaign statements telling voters where they stand on animal welfare. Obama's statement is a welcome addition, and it is an indicator of the growing importance of humane issues in presidential politics. We hope the other presidential candidates will let voters know where they stand on animal issues, too.


In his questionnaire response, Obama pledges support for nearly every animal protection bill currently pending in Congress, and he says he will work with executive agencies such as the U.S. Department of Agriculture to make their policies more humane. He writes of the important role animals play in our lives, as companions in our homes, as wildlife in their own environments, and as service animals working with law enforcement and assisting persons with disabilities.


Obama also comments on the broader links between animal cruelty and violence in society: "I've repeatedly voted to increase penalties for animal cruelty and violence and, importantly, to require psychological counseling for those who engage in this behavior as part of the punishment.

In addition to being unacceptable in its own stead, violence towards animals is linked with violent behavior in general, especially domestic violence, and we need to acknowledge this connection and work to treat it. Strong penalties are important and I support them, but we know that incarceration alone can't solve all our problems. As president, I'd continue to make sure that we treat animal cruelty like the serious crime it is and address its connection to broader patterns of violence."


In his eight years as an Illinois state senator, Obama voted for at least a dozen animal protection laws that came up during that time. He supported measures, among others, to allow the creation of pet trusts to provide for the long-term care of companion animals; to upgrade the penalties for cruelty to animals; to require psychological counseling for people who abuse animals; to require that veterinarians report suspected acts of cruelty and animal fighting; and to ban the slaughter of horses for human consumption—which was significant because, at the time, Illinois was one of only two states (with Texas) where horse slaughter plants operated.

After being elected to the U.S. Senate in 2004, Obama has continued his record of support for animal protection laws. He voted to end the federal funding of horse slaughter in 2005, and he is currently a co-sponsor of new legislation to stop horse slaughter and the export of horses for human consumption. He co-sponsored legislation which was enacted this May to upgrade the federal penalties for dogfighting and cockfighting, and he is a co-sponsor of new legislation to ban the possession of fighting dogs and being a spectator at a dogfight. He signed a letter requesting increased funds for the enforcement of the Animal Welfare Act, Humane Methods of Slaughter Act, and the federal animal fighting law, and he also sent a letter to the National Zoo expressing his concern for the care of Toni the elephant.

Senator Obama scored 20 percent on the 2005 Humane Scorecard because he voted to end horse slaughter, but at the time, had not yet co-sponsored bills dealing with animal fighting, puppy mills, or downer livestock, or signed the enforcement funding letter. His score improved to 60 percent on the 2006 Humane Scorecard, as he signed onto the animal fighting bill and the funding letter. For 2007, Obama will receive credit on the scorecard for co-sponsoring the animal fighting and horse slaughter legislation, but he has not yet co-sponsored major animal welfare bills such as the Pet Safety and Protection Act.


While Obama has said that he supports the rights of hunters and sportsmen, he has not gone out of his way to stress the point, and has not—as some other candidates have—dressed up in camo and gunned down animals with the television cameras in tow. Obama's personal interactions with animals, in fact, appear to be much more humane. He has joined the fight against puppy mills, and will appear in a new book by my friend Jana Kohl about her rescued dog, Baby, who survived a decade in a puppy mill.

And Obama has said that "as a condition for letting me run for President, my daughters Malia and Sasha extracted a promise from Michelle and I that they could get a dog after the election, win or lose. So they're heavily invested in this campaign, if only for it to be over so we can get our dog."

Now that's a photo op I'd like to see.
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Apes get legal rights in Spain, to surprise of bullfight critics


Thomas Catan in Madrid

Times OnlineUK

Spain is to become the first country to extend legal rights to apes, wrongfooting animal rights activists who have long campaigned against bullfighting in the country.

In what is thought to be the first time a national legislature has granted such rights to animals, the Spanish parliament’s environmental committee voted to approve resolutions committing the country to the Great Apes Project, designed by scientists and philosophers who say that humans’ closest biological relatives also deserve rights.

The resolution, adopted with crossparty support, calls on the Government to promote the Great Apes Project internationally and ensure the protection of apes from “abuse, torture and death”. “This is a historic moment in the struggle for animal rights,” Pedro Pozas, the Spanish director of the Great Apes Project, told The Times. “It will doubtless be remembered as a key moment in the defence of our evolutionary comrades.”


Reactions to the vote were mixed. Many Spaniards were perplexed that the country should consider it a priority when the economy is slowing sharply and Spain has been rocked by violent fuel protests. Others thought it was a strange decision, given that Spain has no wild apes of its own.


Animal rights?

In an editorial yesterday, the Madrid daily El Mundo noted that the only apes in Spain were “the ones that could cross over from Gibraltar”, and questioned why the country should become “the principal flag-bearer of the apes” cause. “With the problems that Spanish farmers and fishermen are experiencing, it is surprising that members of Congress should dedicate their efforts to trying to turn the country of bullfighting into the principal defender of the apes,” it wrote.

Spain’s conservative Popular Party also complained that the resolution sought to give animals the same rights as humans — something that the Socialist Government denies. Some critics questioned why Spain should afford legal protection from death or torture to great apes but not bulls. But Mr Pozas said that the vote would set a precedent, establishing legal rights for animals that could be extended to other species. “We are seeking to break the species barrier — we are just the point of the spear,” he said.


The resolutions will outlaw harmful experiments on great apes, though activist say that they have no knowledge of any being carried out in Spain. It will also make keeping great apes for circuses, TV commercials or filming a criminal offence.

Keeping apes in zoos will remain legal, [HALLELUJAH!!] but conditions for the 350 apes in Spanish zoos will have to improve. Animal rights activists say that 70 per cent of apes in Spanish zoos live in sub-human conditions. The philosophers Peter Singer and Paola Cavalieri founded the Great Ape Project in 1993, saying that hominids such as chimpanzees, gorillas and orangutans should enjoy the right to life and freedom and not to be mistreated.
The ape world
-- In addition to humans there are three genera of great apes: gorillas, chimpanzees and orang-utans

— The first two are confined to Africa, while the third occurs in South-East Asia

Humans and chimps share 99 per cent of their active genetic material
— 7,300 Sumatran orang-utans remain in the wild
— The mountain gorillas of the Democratic Republic of Congo have dwindled to 700, and the Cross River gorilla is believed to number only 250
— The UN predicts that some species of great ape could be extinct within a generation
Sources: The World Atlas of Great Apes; Times archives

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Spain Gives Rights to Apes
June 26, 2008

Spain’s parliament on Wednesday voiced its support for the rights of great apes to life and freedom, Reuters reports.
Spain adopted this new policy at the behest of the "Great Apes Project," a plan developed, in part, by Peter Singer and other philosophers and scientists who say the animals deserve the same rights as their closest genetic relatives.
[ARE APE RIGHTS NOW EQUIVALENT WITH HUMAN RIGHTS]

Australian-born Singer, dubbed the “godfather” of animal rights, has stirred up controversy by asserting, among other things, that Christianity is a “problem” for the animal rights movement.

A professor of bioethics at Princeton University's Center for Human Values, Singer attacks "speciesism," which he defines as the belief that being a member of a certain species "makes you superior to any other being that is not a member of that species." He has also stated that a "severely disabled" infant may be killed up to 28 days after its birth if the parents deem the baby's life is not worth living.

Spain’s environmental committee of parliament approved the resolution with cross-party support. If the resolution becomes law, it will mean that potential experiments on apes will be banned within a year. In addition, apes used for commercial purposes, filming or circuses would also become illegal.

"This is a historic day in the struggle for animal rights and in defense of our evolutionary comrades, which will doubtless go down in the history of humanity," Pedro Pozas, Spanish director of the Great Apes Project, tells Reuters.


We have no knowledge of great apes being used in experiments in Spain, but there is currently no law preventing that from happening," Pozas notes.
Apes in Spanish zoos, of which there are currently 315, will remain legal, according to the legislation, but living conditions reportedly will improve substantially.
[SIMIAN RIGHTS OR ECONOMIC SABOTAGE??? Will EURObama provide animal rights extremists with the same liberties and freedom of speech as they exercise in the European Union?? See: ITSSD Journal on Economic Sabotage, at: http://itssdjournaleconomicsabotage.blogspot.com/].

Tuesday, June 3, 2008

For Obama, Picasso's Surrealism Has Strong Aesthetic & Political Undertones: What Would 'Reality' Mean to an Obama Administration?

http://money.aol.com/special/lifestyles-of-2008-presidential-candidates?icid=100214839x1203389166x1200134264


In a recent article entitled, Lifestyles of the 2008 Presidential Candidates - How Our Potential Presidents Live in Real Life, AOL Money and Finance (June 3, 2008), Democratic Presidential Candidate Barack Obama reveals that one of his ''personal heroes' is famous Spanish Surrealist artist Pablo Picasso.
According to the Metropolitan Museum of Art in New York, "The artistic genius of Pablo Picasso (1881–1973) has impacted the development of modern and contemporary art with unparalleled magnitude. His prolific output includes over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets and costumes that convey a myriad of intellectual, political, social, and amorous messages. His creative styles transcend realism and abstraction, Cubism, Neoclassicism, Surrealism, and Expressionism." See Pablo Picasso (1881–1973) at: http://www.metmuseum.org/TOAH/HD/pica/hd_pica.htm .


Similarly, Encyclopedia Britannica reflects that,


"Although Picasso never became an official member of the group, he had intimate connections with the most important art movement between the two world wars, Surrealism. The Surrealist establishment, including its main propagandist, André Breton, claimed him as one of their own, and Picasso's art gained a new dimension from contact with his Surrealist friends...

... Life and career » Surrealism


Although Picasso never became an official member of the group, he had intimate connections with the most important art movement between the two world wars, Surrealism. The Surrealist establishment, including its main propagandist, André Breton, claimed him as one of their own, and Picasso’s art gained a new dimension from contact with his Surrealist friends, particularly the
writers. Inherent in Picasso’s work since the Demoiselles were many elements that the official circle advocated. The creation of monsters, for instance, could certainly be perceived in the disturbing juxtapositions and broken contours of the human figure in Cubist works; Breton specifically pointed to the strange Woman in a Chemise (1913).


("In 1931, Universal Studios released the movie 'Frankenstein,' in which the monster as most of us recognise him today made his first appearance. The 1934 drawing appears to contain an inverted double portrait of Frankenstein's monster derived from this movie...

Picasso, who was often described as a monster, loved the cinema and probably saw the 1931 'Frankenstein' soon after its release in France. It appears clear from the drawing that he went on to identify a number of symbolic associations between himself and the monster and identified other symbolic associations between the monster and Hitler's Aryan Superman. Frankenstein's monster, like Oedipus and Picasso, were all in a sense responsible for the destruction of their fathers*. All three also Picasso symbolically, Oedipus by self infliction and suffered a form of blindness; Frankenstein's monster because at first his eyes were too sensitive to light. All three also underwent a form of crucifixion; Picasso symbolically, Oedipus when he is exposed by his father, the monster when he is created as well as when he dies under the sign of a burning cross. Finally, all three also experienced a form of exile; Picasso at the turn of the century in Paris and again in the 1930's as a protest against Franco, Oedipus by his own edict and the monster by being violently ostracised from the day of his creation." See Mark Harris, The Picasso Conspiracy, Symbolism in the 1934 Drawing - Frankenstein, at: http://web.org.uk/picasso/toc.html http://web.org.uk/picasso/symbolism.html http://web.org.uk/picasso/frankenstein.html ).



[IS GLOBAL WARMING SUCH A MONSTER??]


Moreover, the idea of reading one thing for another, an idea implicit in Synthetic Cubism, seemed to coincide with the dreamlike imagery the Surrealists championed.


What the Surrealist movement gave to Picasso were new subjects—especially erotic ones—as well as a reinforcement of disturbing elements already in his work...the effect of distortion on the emotions of the spectator can also be interpreted as fulfilling one of the psychological aims of Surrealism (drawings and paintings of the Crucifixion, 1930–35).


In the 1930s Picasso, like many of the Surrealist writers, often played with the idea of metamorphosis.

For example, the image of the minotaur, the monster of Greek mythology—half bull and half human—that traditionally has been seen as the embodiment of the struggle between the human and the bestial, becomes in Picasso’s work not only an evocation of that idea but also a kind of self-portrait.


Finally, Picasso’s own brand of Surrealism found its strongest expression in poetry. He began writing poetry in 1934, and during one year, from February 1935 to the spring of 1936, Picasso virtually gave up painting. Collections of poems were published in Cahiers d’Art (1935) and in La Gaceta de Arte (1936, Tenerife), and some years later he wrote the Surrealist play Le Désir attrapé par la queue (1941, Desire Caught by the Tail).


...After the war Picasso resumed exhibiting his work, which included painting and sculpture as well as work in lithography and ceramics. At the Autumn Salon of 1944 (“Salon de la Liberation”) Picasso’s canvases and sculpture of the preceding five years were received as a shock. This plus the announcement that Picasso had just joined the Communist Party led to demonstrations against his political views in the gallery itself...


... Because Picasso’s art from the time of the Demoiselles was radical in nature, virtually no 20th-century artist could escape his influence. Moreover, while other masters such as Matisse or Braque tended to stay within the bounds of a style they had developed in their youth, Picasso continued to be an innovator into the last decade of his life."


See: Pablo Picasso, Surrealism, at Encyclopædia Britannica.com at: http://www.britannica.com/eb/article-59635/Pablo-Picasso ; and
http://www.britannica.com/EBchecked/topic/459275/Pablo-Picasso .

Tuesday, May 27, 2008

Could the Reports Claiming that Barack Obama has Communist Party Ties be True??



[This photo image of communist revolutionary Che Guevara is said to come from one of Barack Obama's campaign offices. Could this be true?

Research reveals that "Ernesto "Che" Guevara (May 14, 1928October 9, 1967), commonly known as Che Guevara, El Che, or simply Che, was an Argentine Marxist revolutionary, politician, author, physician, military theorist, and guerrilla leader. His stylized image also later became a countercultural symbol worldwide. As a young medical student, Guevara travelled through Latin America and was transformed by the endemic poverty he witnessed. His experiences and observations during these trips led him to conclude that the region's inequalities were a result of monopoly capitalism, neo-colonialism, and imperialism, with the only remedy being world revolution. This belief prompted his involvement in Guatemala's social revolution under President Jacobo Arbenz Guzmán, whose eventual CIA-assisted overthrow solidified Guevara’s radical ideology."


"Later, in Mexico, he joined and was promoted to commander in Fidel Castro’s 26th of July Movement, playing a pivotal role in the successful guerrilla campaign to overthrow the U.S.-backed Cuban dictator Fulgencio Batista.[1] After the Cuban revolution, Guevara served in many prominent governmental positions, including President of the National Bank and “supreme prosecutor” over the revolutionary tribunals and executions of suspected war criminals from the previous regime. Along with traveling to meet world leaders on behalf of Cuban socialism, he was a prolific writer and diarist: his published work includes a manual on the theory and practice of guerrilla warfare. Guevara left Cuba in 1965 to incite revolutions first in an unsuccessful attempt in Congo-Kinshasa and then in Bolivia, where he was captured with help of the CIA and executed."



[WHY WOULD BARACK OBAMA SUPPORTERS HANG A PICTURE OF CHE GUEVARA IN THEIR CAMPAIGN HEADQUARTERS?? WHAT KIND OF REVOLUTION DOES BARACK OBAMA CALL FOR???]



ELECTION 2008Report: Obama mentored by Communist Party figureInvestigations show ties to radicals who shaped him, helped launch his political career
Posted: May 22, 200811:40 pm Eastern


By Jerome R. Corsi


© 2008 WorldNetDaily


Barack Obama had extensive ties with extreme anti-American elements, including agents of the Moscow-controlled Communist Party USA, in Hawaii and Chicago, according to two new reports released yesterday in Washington, D.C., by two experienced internal security investigators.
Investigative journalist Cliff Kincaid and Herbert Romerstein, a former investigator with the U.S. House Committee on Un-American Activities, presented evidence Obama was mentored, while attending high school in Hawaii, by Frank Marshall Davis, an African-American poet and journalist who was also a CPUSA member.


The authors, in a separate report, document Obama's ties to radicals in Chicago who helped launch his career.

In a paper entitled "Communism in Hawaii and the Obama Connection," the authors document that in 1948, Davis decided to move from Chicago to Honolulu at the suggestion of what they describe as two "secret CPUSA members," actor Paul Robeson and Harry Bridges, the head of the International Longshoremen's and Warehousemen Union, or ILWU.

In Chicago, Davis had worked for the Chicago Star newspaper; in Honolulu, he was hired as a reporter for the Honolulu Record, both identified by Kincaid and Romerstein as "communist front newspapers."


In his autobiography, "Dreams from My Father," Obama discusses the influence a mentor identified in the book only as "Frank" had on his intellectual development.
Obama described Frank as a drinking companion of his grandfather, who had boasted of his association with African-American authors Richard Wright and Langston Hughes during the time Frank was a journalist in Chicago.


Romerstein, in addition to having served as investigator with the U.S. House Committee on Un-American Activities, served in the same capacity with the House Committee on Internal Security and the House Permanent Select Committee on Intelligence. He was the head of the Office to Counter Soviet Disinformation for the U.S. Information Agency. Romerstein is also co-author of the influential book "The Venona Secrets: Exposing Soviet Espionage and America's Traitors," which included extensive documentation of the communist activities of Roosevelt administration staffer Alger Hiss.

Kincaid is the founder and president of America's Survival Inc., an independent watchdog group that monitors the U.N. and international terrorism. He is also editor of Accuracy in Media's AIM Report.
Are you a member of the Communist Party?

Kincaid and Romerstein quote Kathryn Takara of the University of Hawaii, who wrote a dissertation on the life of Frank Marshall Davis, confirming Davis was a significant influence on Obama when the senator attended Punahou prep school in Hawaii from 1975 to 1979
A transcript of a 1956 hearing before the Senate Internal Security Subcommittee discovered by internal security affairs researcher and writer Max Friedman showed Davis took the Fifth Amendment when asked by the subcommittee if he was or had ever been a member of the Communist Party.


In the second report, "Communism in Chicago and the Obama Connection," Kincaid and Romerstein present evidence supporting their contention the SDS organization from which the Weather Underground organization and radicals Bill Ayers and Bernardine Dorhn came, received financial contributions from the CPUSA, which in turn receive its funding from Moscow.

Obama's run for the Illinois state Senate was launched by a fundraiser organized at Ayers' and Dorhn's Chicago home by Alice Palmer. Palmer had named Obama to succeed her in the state Senate in 1995, when she decided to run for a U.S. congressional seat.

Nine years before Palmer picked Obama to be her successor, she was the only African-American journalist to travel to the Soviet Union to attend the 27th Congress of the Communist Party of the Soviet Union, according to an article Palmer wrote in the CPUSA newspaper, People's Daily World, June 19, 1986.

"There has been no explanation of why Ayers et al. played a role in launching Obama's political career," Kincaid wrote.

Kincaid and Romerstein present documentation that Tom Hayden, another major figure in the SDS, is today one of four principal initiators of the "Progressives for Obama" movement, which calls for ending the war in Iraq "as quickly as possible, not in five years."

According to Kincaid and Romerstein, U.S. Peace Council executive committee member Frank Chapman "blew the whistle on communist support for Obama's presidential bid and his real agenda" in a letter to the People's Weekly World after Obama's win in the Iowa Democratic Party caucuses.

"Obama's victory was more than a progressive move; it was a dialectical leap ushering in a qualitatively new era of struggle," Chapman wrote. "Marx once compared revolutionary struggle with the work of the mole, who sometimes burrows so far beneath the ground that he leaves no trace of his movement on the surface.

Kincaid and Romerstein wrote, "The clear implication of Chapman's letter is that Obama himself, or some of his Marxist supporters, are acting like moles in the political process. The suggestion is that something is being hidden from the public."

Sunday, May 25, 2008

Isn't It Surreal How Obama & Clinton Are Employing Psychology Tactically to Evoke Unconscious Voter Emotions and Illusions??

http://www.newsweek.com/id/137548


Unconscious Votes: predictions of political psychology have held up pretty well on the campaign trail.


By Sharon Begley


Newsweek


May 17, 2008


"Give the democrats of West Virginia points for honesty. As Hillary Clinton romped to a landslide of 67 to 26 percent over Barack Obama in the primary, 20 percent of voters in exit polls said that race was an important factor in their choice—triple the percentage of earlier primaries. Of those, 80 percent voted for Clinton, making clear what they meant by "important." Obama's "black supremacist" minister concerns her, one woman told my colleague Suzanne Smalley. Another found Obama's "background, his heritage" suspicious. Both said they'd vote for John McCain over Obama."

"The 2008 campaign has been subjected to more psychological analysis than Woody Allen. The top Democratic candidates asked psychology researchers for input, as did the national party, several state parties and the House and Senate Democratic caucuses. The 2007 book "The Political Brain," by psychologist Drew Westen of Emory University, became a must-read for strategists, and so far it looks as though they got their money's worth: key predictions of political psychology have held up pretty well on the campaign trail. Voters are driven more by emotions than by a cold-eyed, logical analysis of a candidate's record and positions; witness the legions of anti-immigration Republicans who pulled the lever for McCain. Ten-point plans (Clinton) don't move voters as powerfully as inspirational oratory (Obama). And unconscious motivations are stronger than conscious ones. This last finding might explain the growing role of racism in the campaign as well as the persistent "happiness gap" between liberals and conservatives—both of which will matter in November."

"In March, when I wrote about research showing that people ignore race if another salient trait is emphasized, scientists agreed that Obama had to convey that "he is one of us." That "us" could be Democrats, family men, opponents of the Iraq invasion, enemies of politics as usual. Instead, opponents (and the media) began playing up his "otherness"—not wearing a flag pin, belonging to a black church, having an exotic name. And Obama began slipping, losing support among blue-collar white voters in particular."


"It may seem paradoxical, but to stop the bleeding Obama needs to talk about race more often and more explicitly. "Only 3 or 4 percent of people today consciously endorse racist sentiments," says Westen. "But there are residues of prejudice at the unconscious level, and they aren't difficult to activate if you know how to do it. Our better angels on race tend to be our conscious rather than our unconscious values and emotions." It is those conscious brain circuits that Obama needs to keep activating, says Westen, "by talking about racism openly and attacking those who say white America will never vote for a black for president. Appeal to people's conscious values." That has a good chance of keeping unconscious racism at bay, brain studies show. Even more effective, combine direct talk about racism with an "I am like you" message, which leads the brain to focus on categories other than race. "Make it about 'us'," says Westen. "Talk about how we feel angry if a black fireman gets promoted ahead of us for no reason but affirmative action. Talk about how it's natural to look at someone different from us and ask, does he share my values, can he understand me?""


"Intelligent adults don't like being told that something as important as their vote is strongly shaped by emotions and the unconscious. But if "The Selling of the President" didn't prove the point 40 years ago, an upcoming study showing the tight embrace of ideology and emotion might."


"In a 2006 survey by the Pew Research Center, 47 percent of conservative Republicans described themselves as "very happy," but only 28 percent of liberal Democrats did. That led columnist George F. Will to write that "liberalism is a complicated and exacting, not to say grim and scolding, creed. And not one conducive to happiness." But political psychologist John Jost of New York University suspected that something else might explain the happiness gap. He and Jaime Napier analyzed data on people's self-reported level of contentment and their political views. The right-left happiness gap existed not only in the United States but in nine other countries, too. In part, that's because conservatives are more likely to be older, married and religious, all of which increase happiness."


"But those traits explained only part of the gap. What accounted for the rest was how people viewed social and economic inequality, the scientists will report next month in the journal Psychological Science. People who agreed that "it is not really that big a problem if some people have more of a chance in life than others," for instance, and "this country would be better off if we worried less about how equal people are," were happier than those who disagreed. The latter tend to be liberals, who are less likely than conservatives to see inequality as the result of a fair and legitimate system in which, say, people are losing their homes to foreclosure because they greedily got mortgages they couldn't afford/didn't deserve, not because they were misled by lenders. As foreclosures and gas prices rise between now and November, hitting have-nots harder than haves, the happiness gap will only grow. And if poli-psych teaches us anything, it is that profound unhappiness with the status quo leaves voters open to profound change."

What Do the 'Chicago 7', Surrealism and Barack Obama Have in Common? They Aren't Really Healers: Each Romanticizes Radical Counter-Cultural Change!!

http://en.wikipedia.org/wiki/Chicago_10_(film)
"Chicago 10 is a 2007 partly animated film written and directed by Brett Morgen and tells the story of the Chicago Seven. The film features...an animated reenactment of the trial based on transcripts and rediscovered audio recordings. It also contains archive footage of [ANTI-WAR RADICALS] David Dellinger, Abbie Hoffman, William Kunstler, Jerry Rubin, Bobby Seale, and Leonard Weinglass, and of the protest and riot itself. The title is drawn from a quote by Rubin, who said, 'Anyone who calls us the Chicago Seven is a racist. Because you're discrediting Bobby Seale. You can call us the Chicago Eight, but really we're the Chicago Ten, because our two lawyers went down with us.'" http://en.wikipedia.org/wiki/Chicago_Seven





"The Chicago Seven were seven (originally eight, when they were known as the Chicago Eight) defendants charged with conspiracy, inciting to riot and other charges related to protests that took place in Chicago, Illinois on the occasion of the 1968 Democratic National Convention...The 1968 Democratic National Convention, held in late August – convened to select the party's candidates for the November 1968 Presidential election – was the scene of massive demonstrations protesting the Vietnam War, which was at its height. Thousands of people showed up with signs and banners, music, dancing and poetry."

"The original eight protester/defendants, indicted by the grand jury on March 20, 1969, were Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The defense attorneys were William Kunstler and Leonard Weinglass of the Center for Constitutional Rights. The judge was Julius Hoffman. The prosecutors were Richard Schultz and Tom Foran. The trial began on September 24, 1969, and on October 9 the United States National Guard was called in for crowd control as demonstrations grew outside the courtroom. Early in the course of the trial, Black Panther Party activist Bobby Seale hurled bitter attacks at Judge Hoffman in court, calling him a "fascist dog," a "pig," and a "racist," among other things. Seale had wanted the trial postponed so that his own attorney, Charles Garry, could represent him (as Garry was about to undergo gallbladder surgery); the judge denied the postponement, and refused to allow Seale to represent himself, leading to Seale's verbal onslaught. When Seale refused to be silenced, the judge ordered Seale bound and gagged in the courtroom, citing a precedent from the case of Illinois v. Allen. (This was alluded to in Graham Nash's song, 'Chicago', which opened with: 'So your brother's bound and gagged, and they've chained him to a chair'). Ultimately Judge Hoffman severed Seale from the case, sentencing him to four years in prison for contempt, one of the longest sentences ever handed down for that offense in American history at that time."

"...On February 18, 1970, all seven defendants were found not guilty of conspiracy, two (Froines and Weiner) were acquitted completely, and five were convicted of crossing state lines with the intent to incite a riot. Those five were each sentenced to five years in prison and fined $5,000 on February 20, 1970...All of the convictions were reversed by the United States Court of Appeals for the Seventh Circuit on November 21, 1972, on the grounds of bias by the judge and his refusal to permit defense attorneys to screen prospective jurors for cultural and racial bias (Case citation 472 F.2d 340). The Justice Department decided not to retry the case. During the trial, all the defendants and both defense attorneys had been cited for contempt and sentenced to jail, but all of those convictions were also overturned. The contempt charges were retried before a different judge, who found Dellinger, Rubin, Hoffman and Kunstler guilty of some of the charges, but opted not to sentence the defendants to jail or fines. Of the eight police officers indicted in the matter, seven were acquitted, and charges against the eighth were dismissed."
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[THE FOLLOWING ENTRY REFLECTS ASPECTS OF SURREALISM INSOFAR AS 'ART IMITATES LIFE, WHICH IMITATES ART...]
In his 'mash-up documentary' Chicago 10, Brett Morgen wants to erase the distance between 1968 and 2008

By JR Jones

Chicago Reader

February 28, 2008

"As a Chicagoan in my early 40s, I find that the 1968 Democratic convention and the ensuing conspiracy trial are at my fingertips yet far beyond my grasp...Chicago 10, an electrifying new 'mash-up documentary' by Brett Morgen, vividly reconstructs the battles on the street and in the courtroom, and it couldn’t come at a more opportune moment...Then as now, a big-hatted Texan had led the country into an ill-considered war and was about to shuffle off into history with U.S. forces still mired in a foreign civil conflict. Then as now, the Democratic Party was embroiled in a hotly contested presidential race, with two antiwar upstarts, Eugene McCarthy and Robert Kennedy, vying for the nomination against Vice President Hubert Humphrey. If Barack Obama and Hillary Clinton continue to duke it out through the summer, this year’s Democratic convention could be the most chaotic since then. (Coincidentally the gathering, scheduled for August 25 through 28 in Denver, will precisely mark the 40th anniversary of Chicago’s four days of violence.)"

"The 1968 convention changed the city, the Democratic Party, and the nation. The overkill on Michigan Avenue may be a source of shame now, but at the time a majority of Americans supported the first Mayor Daley and the police for cracking down on protesters. After more than a decade of civil rights demonstrations, antiwar marches, and rioting in U.S. cities, the political pendulum had begun to swing back to the right, and Richard Nixon rode it straight into the Oval Office with a campaign that promised to restore law and order to the country. The bloodshed in Chicago also fractured the American left into a liberal wing that still believed in nonviolence and a radical wing that resolved to pursue more aggressive tactics. With Humphrey’s defeat, the great era of American liberalism, which had started with Franklin Roosevelt’s election in 1932 and peaked with the Voting Rights Act of 1965, began its long, steep decline."

"...The Democrats are still feeling the aftershocks of ’68 today. Back then, only 13 states held Democratic primaries, and Humphrey skipped them all, taking advantage of the party machinery to wrap up the nomination. That fueled the rage of the demonstrators, and as news of their being beaten and gassed filtered into the International Amphitheater, delegates approved a convention plank to reform the nominating process...After the landslide defeat of the liberal George McGovern in 1972 and Ted Kennedy’s failed 1980 primary challenge to President Carter, whom Ronald Reagan easily defeated that November, party centrists struck back by creating unelected, uncommitted “superdelegates” to check the insurgents. Superdelegates helped shut down Gary Hart, who ran against establishment candidate Walter Mondale in 1984, and they may yet do the same to Barack Obama. For Chicago, the convention is a stain that will never wash away. The second Mayor Daley brought the Dems back in 1996, neatly contained pesky protesters at sanctioned demonstration sites, and smoothly orchestrated Bill Clinton’s coronation as the uncontested nominee—yet just the words 'Democratic convention' still conjure images of cops busting heads and Richard J. Daley shouting at Senator Abraham Ribicoff after the senator took the convention podium to denounce “Gestapo tactics on the streets of Chicago.”
"...You won’t learn any of this from Chicago 10, because Morgen isn’t interested in measuring the distance between 1968 and 2008—he wants to erase it. When his movie opened the Sundance Film Festival a year ago, he told the audience his objective was to 'mobilize the youth in this country to stop the fucking war.' Archival footage shows the MC5 rocking out in Lincoln Park, but the music is Rage Against the Machine’s version of “Kick Out the Jams,” and other key moments feature tunes by Eminem or the Beastie Boys. Scenes of the conspiracy trial are drawn from court transcripts, but Morgen has dramatized them with motion-capture animation that turns yippie activists Hoffman and Rubin into freaky superheroes. 'The idea of ‘yippie’ was that politics needed to be fun,' Morgen told USA Today. 'If you want to mobilize people, it’s not fun just walking around with a placard over your head. Turn it into a party, turn it into a concert—and that’s what they did.'”

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[THE FOLLOWING LISTSERV REFLECTS FORMER UNIVERSITY OF CHICAGO CONSTITUTIONAL LAW PROFESSOR BARACK OBAMA'S EFFORTS TO TAP INTO & INCITE ANTI-WAR EMOTIONS THROUGH CAREFUL INDIRECT REFERENCES TO & INNUENDOS ABOUT THE IRAQ WAR].
"After graduating from Harvard Law School, and serving as president of the Harvard Law Review, Obama taught at the University of Chicago Law School for about a decade, and I know him from his time as a colleague here."

The Right is Terrified of Obama, citing University of Chicago Law Professor Cass Sunstein

By Harold Henderson

The Daily Harold

September 25, 2006
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Marxism mailing list archive

To: Marxmail marxism@xxxxxxxxxxxxxxxxxxx>
Subject: [Marxism] How Barack Obama and MoveOn support Senator Byrd
From: lshan lshan@xxxxxxx>
Date: Tue, 29 Mar 2005 11:53:33 -0500

"I just received a message from MoveOn calling for support to Senator Robert Byrd of West Virginia for his opposition to the Iraq War. Eli Pariser quotes Byrd as follows: 'I truly must question the judgment of any President who can say that a massive unprovoked military attack on a nation which is over 50% children is 'in the highest moral traditions of our country.' This war is not necessary at this time.' Byrd's position is for getting the UN in and the U.S. out. However, unlike Kerry, he did vote against the $87 billion appropriate in October 2003."
Most interesting is Barack Obama's letter of support. Obama does not have a single word about Byrd's opposition to the invasion and occupation of Iraq. His skillful reference to Byrd's opposition to the invasion and occupation of Iraq consists of:

'He [Byrd] has spoken out passionately against a Bush foreign policy that has alienated our allies throughout the world.'

Thus Obama connects to the antiwar opposition through MoveOn and Senator Robert Byrd, while never stating opposition to Iraq invasion and occupation for himself."

However, at one time, Obama posted the following on his web site:

"I don't oppose all wars ... What I am opposed to is a dumb war. What I am opposed to is a rash war. What I am opposed to is the cynical attempt by Richard Perle and Paul Wolfowitz and other arm-chair, weekend warriors in this Administration to shove their own ideological agendas down our throats, irrespective of the costs in lives lost and in hardships borne...What I am opposed to is the attempt by political hacks like Karl Roves to distract us from a rise in the uninsured, a rise in the poverty rate, a drop in the median income ... to distract us from corporate scandals and a stock market that has just gone thru the worst month since the Great Depression...That's what I'm opposed to. A dumb war. A rash war. A war based not on reason but on passion, not on principle but on politics .... "

That apparently was enough for Obama. On June 5, 2003, Chicago activist and writer Bruce Dixon noted:

"For a while the whole speech could be found on Obama's campaign web site, a key statement of principle for a serious US Senate candidate in an election season when the President's party threatens the world with permanent war and pre-emptive invasion, and cows US citizens with fear mongering, color coded alerts, secret detentions and the abrogation of constitutional liberties. Although Obama may have appeared at meetings of other citizens opposed to the war or let them use his name, no further public statements from the candidate on these important issues have appeared."

"Then, a few weeks ago, Barack Obama's heartfelt statement of principled opposition to lawless militarism and the rule of fear was stricken without explanation from his campaign web site, and replaced with mild expressions of 'anxiety'. 'Dixon quotes the 'new' Obama from Obama's website:

'But I think [people are] all astonished, I think, in many quarters, about, for example, the recent Bush budget and the prospect that, for example, veterans benefits might be cut. And so there's discussion about that, I think, among both supporters and those who are opposed to the war. What kind of world are we building?' And I think that's - the anxiety is about the international prospects and how we potentially reconstruct Iraq. And the costs there, then, tie in very directly with concerns about how we're handling our problems at home."

Dixon comments: "His passion evaporated, a leading black candidate for the US Senate mouths bland generalities on war, peace and the US role in the world. Barack Obama, professor of constitutional law, is mum on the Patriot Act, silent about increased surveillance of US citizens, secret searches, and detentions without trial. His campaign literature and speeches ignore Patriot Act 2, which would detain US citizens without trial, strip them of their nationality and deport them to - wherever, citizens of no nation."
from Brian Shannon
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http://www.columbia.edu/~lnp3/mypage.htm

Surrealism, Freud and Trotsky

Columbia University Professor Louis Proyect

(February 2002)

[LOUIS PROYECT HAS BEEN QUOTED IN WIKIPEDIA AS MAKING THE FOLLOWING STATEMENT: "The answer to global warming is in the abolition of private property and production for human need. A socialist world would place an enormous priority on alternative energy sources. This is what ecologically-minded socialists have been exploring for quite some time now." Louis Proyect, Columbia University] See: http://en.wikiquote.org/wiki/Global_warming .
"Surrealist leader and poet André Breton was a life-long Trotskyist...Surrealism emerged in the aftermath of WWI. Along with the Dadaism that prepared the way for it, it was a rejection of bourgeois values, especially the rationalism that supposedly accounted for the wholesale destruction of life and property just concluded. It attacked the pretensions of high art, while retaining many of the painterly flourishes of earlier generations. When Marcel Duchamp painted a moustache on the Mona Lisa in the Dadaist "L.H.O.O.Q" in 1919, he captured the spirit of this movement. In many ways, it was to the radicalization of the 1920s as people like Abby Hoffman and the Fugs were to the 1960s radicalization."


"While Surrealist painting tended to avoid any obvious engagement with the class struggle, the writers were deeply involved with radical politics. Breton and Louis Aragon were prominent CP [Communist Party] intellectuals. As the Stalin-Trotsky fight divided poets as well as activists, Aragon became an apologist for Stalin, while Breton chose Trotskyism. Trotsky, who saw proletarian art and socialist realism as inimical to the goals of the 1917 revolution, found a natural ally in Breton and wrote a manifesto for artistic freedom that Breton circulated under his own name. Even if Surrealist fiction and poetry had the same cloistered and solipsistic quality as the paintings, Breton and others issued thousands of proclamations taking positions on the Spanish Civil War and other burning questions."

["I CHANGE"]

"Reflecting the multifaceted character of the 1960s radicalization, and long before it "corrected" itself with the turn toward industry, the American Trotskyist movement published Franklin Rosemont's Breton collection titled "What is Surrealism: Selected Writings". Along with books like Frank Kofsky's "Black Nationalism and the Revolution in Jazz," it was a short-lived bid by a sectarian group to show that it was hip. No such pretensions exist nowadays."

"...'Of contemporary psychology, surrealism retains that which tends to give a scientific basis to research into the origin and mutation of ideological images. In this sense it has attached a particular importance to Freud's investigations into the processes of dreaming and, more generally, to all of Freud's work which is the clinically based exploration of unconscious life.' While the Marxist elements of surrealism remained underdeveloped, Freud's "insights" informed nearly everything that both the writers and painters produced. It is important to understand that surrealism did not take a literal-minded and clinical approach to Freud's theories. For the most part, it did not look at psychoanalysis as a means to achieving mental health, something largely unattainable in bourgeois society in any case. Instead, they saw it as a way of tapping into the deep psychic reservoirs that can produce memorable art. More to the point, mental illness--and hysteria in particular--was a normal response to the insanity of capitalist society. Their notions on this relationship anticipated not only R.D. Laing but the postmodernism of Deleuze-Guattari and Lacan."
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Surrealism in the United States
By Columbia University Professor Louis Proyect

October 27, 2002

"A few months ago I posted an article about []Surrealism, Freud and Trotsky []
(http://www.columbia.edu/~lnp3/mydocs/culture/breton.htm) that relied heavily on Franklin Rosemont's collection of Andre Breton's writings titled "What is Surrealism."

"This Pathfinder book belongs on the shelf of anybody who is interested in the intersection between revolutionary politics and avant-garde art and literature. Now thanks to Autonomedia Press (and especially editor Jim Fleming--a Marxmail subscriber who sent me a review copy), we have a volume that belongs on the same shelf. I refer to []Surrealist Subversions: Rants, Writings and Images by the Surrealist Movement in the United States.[] Edited and introduced by Ron Sakolsky, this volume contains articles that originally appeared in the journal of Rosemont's Chicago Surrealist Group titled [] Arsenal/Surrealist Subversion,[] and kindred publications."

"In my first article, I mentioned that surrealism had taken root in the USA in the 1940s largely through the auspices of a magazine titled VVV. Among the editors was Martinique poet and playwright Aimé Césaire who articulated a surrealist version of Black Nationalism that influenced many black intellectuals, including esteemed contemporary African-American historian Robin D.G. Kelley whose articles can be found in [] Surrealist Subversions.[] Another editorial board member at VVV was Philip Lamantia, who was to become best known as a leading figure of the new poetry of the 1940s and 50s that included the beats and the San Francisco Renaissance writers. It would not be much of a stretch to argue that Lamantia represents a link in the chain between the counter-culture of the 1930s and that of the 1960s. He eventually hooked up with Arsenal, along with fellow beat poet and African-American Ted Joans. It is also not too far of a stretch to see Rosemont's journal as constituting a link between the an important sector of the contemporary radicalization that began in the 1960s with earlier strands going back to the 1930s and earlier, with the left wing of the beat generation constituting an important bridge between the two epochs."

"Ron Sakolsky's introduction does a fine job of identifying both the importance of Franklin Rosemont in keeping the surrealist tradition alive and the particular circumstances of his conversion to this radical cultural movement that will be instantly recognizable to anybody from the generation of baby boomers who rejected everything that American consumerism stood for."

"... Among the most intriguing articles in Rosemont's collection is Robin D.G. Kelley's []Freedom Now Sweet: Surrealism and the Black World.[] His recently published "Freedom Dreams: The Black Radical Imagination" expands on many of the themes first found in this 1998 lecture delivered at the U. of North Carolina. Kelley says:

"'Surrealism may have originated in the West, but it is rooted in a conspiracy against Western Civilization. Surrealists frequently looked outside of Europe for ideas and inspiration, turning most notably to the "primitives" under the heel of European colonialism. Indeed, what later became known as the Third World turned out to be the source of the surrealists' politicization during the mid-1920s. The Paris Surrealist Group and the extreme left of the French Communist Party were drawn together in 1925 by their support of Abd-el-Krim, leader of the Rif uprising against French colonialism in Morocco. In tracts like "Revolution Now and Forever!" the surrealists actively called for the overthrow of French colonial rule. That same year, in an "Open Letter" to writer and French ambassador to Japan, Paul Claudel, the Paris group announced: "We profoundly hope that revolutions, wars, colonial insurrections, will annihilate this Western civilization whose vermin you defend even in the Orient." Seven years later, the Paris group produced its most militant statement on the colonial question to date. Titled "Murderous Humanitarianism" (1932) and drafted mainly by Rene Crevel and signed by (among others) André Breton, Paul Eluard, Benjamin Péret, Yves Tanguy, and the Martinican surrealists Pierre Yoyotte and J. M. Monnerot, it was first published in Nancy Cunard's massive anthology, Negro (1934), and recently reprinted in the "Surrealism: Revolution Against Whiteness" issue of the journal Race Traitor. The document is a relentless attack on colonialism, capitalism, the clergy, the Black bourgeoisie, and hypocritical liberals. Arguing that the very humanism upon which the modern West was built also justified slavery, colonialism and genocide, they called for action: "we surrealists pronounced ourselves in favor of changing the imperialist war, in its chronic and colonial form, into a civil war. Thus we placed our energies at the disposal of the revolution, of the proletariat and its struggles, and defined our attitude towards the colonial problem, and hence towards the color question.'"

"...Although Richard Wright's "Native Son" has most often been associated with the proletarian novel of the 1930s, Kelley makes a convincing case that surrealism was also a strong influence on the African-American author and CP'er. He notes that Wright discusses the importance of surrealism in his unpublished "Memories of My Grandmother," especially as an aid to understanding African American folk culture. He found the blues structure to be analogous to the surrealist's use of the "exquisite corpse," a term that captures the mystery of the chance encounter or what Breton called "objective chance." (Trotsky was never comfortable with this aspect of surrealist thought and told Breton, "Comrade Breton, your interest in phenomena of objective chance does not appear clear to me. Yes, I know well that Engels referred to this notion, but I ask myself if, in your case, it isn't something else. I am not sure you aren't interested in keeping open [his hands described a little space in the air] a little window on the beyond." For Kelley, the connections between surrealism and black culture revolve essentially around the imperative to reject Western Civilization, especially those aspects which lead to the annihilation of precapitalist society and beliefs either through forced cultural assimilation or through the open use of weapons of mass destruction, like the poison gas the Spanish government used against the Rif rebels in Morocco in the 1920s. Kelley writes:

"'Wright's engagement with surrealism seems to parallel that of many other Black intellectuals. They have found in surrealism confirmation of what they already know--for them it is more an act of recognition rather than a revolutionary discovery. Ted Joans wrote Breton that he "chose" surrealism because he recognized its fundamental ideas and camaraderie in jazz. Wifredo Lam said he was drawn to surrealism because he already knew the power of the unconscious having grown up in the Africanized spirit world of Santeria. Aime Cesaire insists it was surrealism that brought him back to African culture. In a 1967 interview he explained, "Surrealism provided me with what I had been confusedly searching for. I have accepted it joyfully because in it I have found more of a confirmation than a revelation." Surrealism, he explained, helped him to summon up powerful unconscious forces. "This, for me, was a call to Africa. I said to myself: it's true that superficially we are French, we bear the marks of French customs; we have been branded by Cartesian philosophy, by French rhetoric; but if we break with all that, if we plumb the depths, then what we will find is fundamentally Black.'"


"Since the Chicago Surrealist Group had such a strong orientation to black culture, helped no doubt by the Black Nationalist explosion of the 1960s, it should come as no surprise that their work overlapped to a considerable degree with the work of scholars associated with "Race Traitor," especially David Roediger who not only writes important scholarly examinations of the problem of racism in the working class like "The Wages of Whiteness" but who has contributed frequently to various journals in his capacity as a committed surrealist."

"...Although I agree with many of the insights found in this collection, I tend to differ on one important question. For Rosemont and his comrades, anarchism is attractive because it lacks the stodginess of the Leninist tradition. Since Lenin conceived of the revolutionary party as the political equivalent of the division of labor being introduced into the modern factory system, it is no wonder that a young radical like Rosemont might find this type of activism off-putting. For traditions such as anarchism, Toni Negri-style autonomism and Guy DeBord's Situationism, there is a strong tendency to see the organizational forms of today prior to the revolution as anticipating somehow the future classless society. For example, in the section titled "Dreaming Revolution," we find an article by Martha Sonnenberg titled "New Desires, New Revolutionary Potentials."

"'The development of movements of Black people, of women, of prisoners ms important to the potential of surrealism....They are living illustrations of how concepts which, at one point in time, exist only as ideal thoughts, can become real and materialized in people's lives. The destruction of old concepts of beauty, of reason and logic, of emotion, of sexuality, of age and time, and the creation of new ones in their places, is being accomplished by mass numbers of people. New definitions of human relationships and of human capacity, which surrealists in the 1920s and 30s were struggling for on a theoretical and artistic level, are being lived by people today. These movements are the realization of the potentials of the past, just as they create new potentials to be fulfilled in the future.'"

"Alas, I am afraid that this is far too much to expect from revolutionary politics. I tend to think of the revolutionary movement as the equivalent for our class of the vast array of institutions that govern and enforce the bourgeoisie's class rule, from the army to the CIA to the various think tanks that promote the inevitability of capitalism. One does not get involved with such outfits in order to have fun, but in order to advance the interests of the class you are loyal to. This is the function of the revolutionary party we need so desperately."